This period marks the transition from women silhouettes to abstract shapes, gradually referred to as “flows”. The objective is the creation of forms that reflect a sense of stability and serenity through the organic blend of their differences.
The realistic depiction of a natural object is not the goal anymore, what is of interest is the creation of forms that capture a sense of existence. Forms that convey feelings of wholesomeness and harmony. Forms that seek the balance between the void and the complete, aim for the internal to become external, the concave to converse with the convex, the bright to succeed the dark.
Forms that urge the audience to discover a new element each time they look at them from a different angle.